Exhibitions

My Paintings style, The Geometric Realism, shows only the contour of the objects on canvas, without shadow and vanish point. It means a style of two dimension method that gives an independent identity to every visible object on canvas.
The objects on canvas look like a glass, because they don't hide another objects behind them, or to say, they let the gaze of viewer during their body penetrate to another side of obstacle. If we give to the art a duty, a mission, a function or to express the (UN) conscious world of a perspective (of the artist?), to gaze to "another side", my style express it.
The transparent technique, or glaze painting, awards or strengths the direction of the gaze to the third dimension, however in a style of two dimensional techniques. Over this direction the form coincides with the content. The root of this direction lay in my perspective toinon the world: Try to see and say transparent.
The Geometric Realism expresses or says the transparent in seeing, a style, and a technique or form coherence to the content.
The content or topic of this two dimensional form that finds the depth of the third dimension epitomized the life of the human being in the social world:
Togetherness, the main base of our Identity. This perspective in painting takes its form in forming, loses the importance of the form and the forming changes to be form. The forming of my paintings is a process without a very fixed plan.
There is a plan for a painting without destination. The destination takes its form in the process of forming. And the independents (Individual Being) objects take their Identity in Togetherness.
The Geometric Realism is a technique or style of expressing a topic that forms the Existence of Togetherness, the painter with the viewer. The accordance of form and content in Geometric Realism takes the viewer together with the painter side by side to check the painting: is the painter right?

Curator: Reza Emadi